Melvin Litton’s latest work, The Kansas Murder Trilogy, presents three novels of shared theme but separate time and character: King Harvest (1); Banks of the River (2); and Skin for Skin (3) – all published by Crossroad Press. He has three previous novels (also from Crossroad): Caspion & the White Buffalo; Geminga; and I Joaquin. His stories and poems have appeared in Chiron Review, Pif, Mobius, Foliate Oak, Floyd County Moonshine, Broadkill Review, and The Literary Hatchet among others. He has two books of poetry: From the Bone (Spartan Press), and Idylls of Being (Stubborn Mule); and a collection of short stories, Son of Eve (Spartan). He is a retired carpenter and lives in Lawrence, Kansas, with his wife Debra and their shepherd Jack. Formerly captain of the Border Band, he now performs as The Gothic Cowboy with Mando Dan: www.borderband.com
Melvin Litton’s latest work, The Kansas Murder Trilogy, presents three novels of shared theme but separate time and character: King Harvest (1); Banks of the River (2); and Skin for Skin (3) – all published by Crossroad Press. He has three previous novels (also from Crossroad): Caspion & the White Buffalo; Geminga; and I Joaquin. His stories and poems have appeared in Chiron Review, Pif, Mobius, Foliate Oak, Floyd County Moonshine,...
In the summer of 1975, a group of young men known as “the boys” make their stab for freedom harvesting wild hemp, or marijuana, on the Kansas plains. Several are Vietnam vets, and all are somehow marked, at odds with their time. They see themselves as inheritors of the mythic West, like buffalo...
Jack Marshal, known as “the Lion,” is a prideful sinner and reckless womanizer. When his 15-year-old daughter, Bonny, winds up pregnant by an old running buddy, Jack is outraged. And when the man is found dead, Jack is charged with murder.
Alongside the coming trial play the many goings-on in a small Kansas town, summer 1960. There’s Ruthie, Jack...
Part mystery and part myth born of fact and rumor left buried in the Kansas dirt. The story opens with a murder as desperate as the voice that stirs from the dust in witness. This voice, or knowing, haunts a young man, Faris Clayton, who will play in events to come. Time and place, 1934, Elim, Kansas.